Jeux, is the title that Nijinski conferred on one of his ballets in 1913.
This piece, interwoven in the metaphor of the game, establishes a dialogue, which can be linked to the possible relationship
that the choreographer lived with the elite Bloomsbury group, whose members were artists and thinkers of the
carving of Virginia Wolf, the economist Maynard Keynes or the philosopher Bertrand Russell.
This possible relationship with this group of intellectuals, explorers of a new morality, based on the freedom of
customs, the demolition of established social conventions and an exquisite elitist education, are the
starting point that the collective Kor’sia uses as a possible reflection of the values that prevail today in
the accelerated process of individuation that society is living; claiming a debate that is open
consider the loss of common values
Text: Agnes Lopez Rio